"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
这是营救的是自己，一个老年痴呆症晚期杀手的自我救赎。
行行行 勉强能给个四星了 老大叔居然不算是绝对主角了 我说咋卡司不算弱呢
名字是失忆，其实内容并没多关联失忆，动作不错，剧情也算上乘，有些情节值得改进，反派有点弱，但还是值得一看的。
“Men like us don’t retire ”70岁了，连姆尼森还没退休。应该秉持传统，把中文名翻译为记忆营救。实际上全片都没怎么呼应老年痴呆这条线，远不如盖皮尔斯年轻时演的记忆碎片。名字像是印度裔的女警探简直就是印度杨恭如。
大叔近些年网大事业里还算及格的一部，怕是最后的“巅峰”
前边还好，最后一个警察能随便进豪宅搞职业杀手那套有点太扯。
乏善可陈，连姆大叔想通过不同的角色尝试带来变化，可动作片这个类型本身就很大程度固化了他
给我看困了，唯一的亮点就是连姆尼森的老年痴呆。这个设定还是挺有意思的，但是背景介绍不清不楚，老年痴呆杀手上天入地如入无人之境，挺粗制滥造的，符合连姆尼森老年动作片的一贯水平……大导演看看他啊！他演动作片有一手的！
一旦失去了“营救”光环，老尼就godie了，而且是被乱枪射死。一个老年痴呆杀手，因为不杀小孩，从而卷入一场少年人贩卖淫案件，并且自己完成了自我救赎，暗杀了几个小boss，最终的大boss并没有被法律制裁，而是死在了“黑警”手中。
行至朝雾里，坠入暮云间，与星辉一同为你沉迷。
太平淡了，观赏性比导演上一部《门徒》还差，曾经好莱坞那种3~5千万成本的杀手动作片，现在都降格到1千万成本以内然后拍完发流媒体，动作场面摄制上各种廉价抠搜。比大叔前几部要好一点，但也是看完就忘。
要啥没啥，taste like shit.
老套，但几位老戏骨还是贡献了不错的表演，至少让人有“不让美人见白头”的感觉。
生动的诠释了什么叫做人为财死鸟为食亡，在巨大的利益诱惑面前，人是什么事都可以做得出来。
营救之神古稀再战江湖！哪有什么岁月从不败美人！只有蛇蝎母亲舐犊情深。
连姆是奔着杀手大叔终身成就奖去的，这个适配角色故事都可以连上了
看利亚姆的片单，居然都排到2025年去了！
最后一箭真是让我直呼好家伙，导演也太直接了
没那么落俗套，有一些创新之处。可惜，不能说太多，要不然这部电影就没法儿看了
好久没看连姆尼森的“营救”片了，老胳膊老腿也就推推搡搡，莫妮卡贝鲁奇盖皮尔斯也是负责唠嗑，还真的没啥看头
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