Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
没有以前几季好看了，剧情也没那么有趣了
非常值得推荐，最近难得看到的佳作，看2小时也不觉得有多长。想起一部短片，你在偷窥对面而羡慕对面家庭，实际对面也在羡慕你的家庭，但那部更感人一些。本剧的问题是对面楼竟然没有一个正脸看对面的镜头，就好像他们生活在看不见对面世界一样，并没有眼睛与眼睛之间的交流。唯一感觉遗憾的是这个男黑的选角，选一个黑人不能满足女主有点多此一举，如果选一个体弱多痛的到可以理解。而女主的演技不错，最后的憔悴让人感觉一定受到很大的打击。如果女主拍摄对面的视频的影响要比拍她的照片影响更大，定时拍摄的照片如果底片有谋杀的证据被女主发现不是更好。
好可爱的马呀，配乐也很好听，带小朋友来看太开心了
两小时太长了，这种片就得压缩到90分钟以内，20分钟的剧情，楞是磨磨蹭蹭的一个小时还没看懂女主到底想干嘛？前戏慢的叫人犯困，加上男主每天阳痿，这片到底是来折磨异性恋男观众还是异性恋女观众的？
剧情啥的不多说了，比我想象的要好。唯一的不足我觉得是没有交代出陆马的种族天赋，虽然G4说得也不多。以及完全不提cutie mark啊！
女主的身材没得说，但是这剧情真的太不合逻辑了。
感觉很不错，不像g4一样过于强调每一只小马的性格标签特点
这部影片由孩之宝公司出品，是一部合家欢动画片。影片开始，“马”的王国分成三个种族，各种族之间互不来往，还妖魔化彼此，而且各种族都失去了自己曾经拥有的魔法能力。此时，愿意改变这一切传说的陆马西月，勇敢的站了出来，和同样对未来充满希望的独角兽小叶一起，找寻失去魔法的原因，她们一起来到飞马王国，和飞马公主一起，在彼此“相信“这个主题下，历经艰辛，最后找回了各自失去的魔法，大家重新过上了欢乐友爱充满希望的生活。影片与时俱进，加入了手机直播、跳舞机等现实元素，同时，影片的音乐也非常出彩，更像是一部歌舞片，画面色彩动画设计都很到位，值得一家大小一起观影。
为了想选题看的，中规中矩。想劝出版社不要做太多或者太贵的产品了，火不了的，卖不掉的……
我最爱littlepony的一点就是friendship is magic！围绕这条亘古不变的核心塑造出的小马都那么鲜活、故事都那么感动、歌曲都那么好听。去看的时候发现大家默认小马宝莉是子供向了，呜呜呜下次大电影我一定要找同龄的小马粉一起去看！
值得推荐的是很多情节使用歌曲方式来讲述，更适合小朋友们，而且结局也是非常的完美，选择相信友谊选择相信爱。
比我预想的要好，算不得太好，无聊的时候看看还是很可以的，尤其是女主身材太好了，男的展出为她拍的那张照片真的好好看
🥩是挺好看的，电影画面的色彩也很丰满。后窗偷窥真是满足人性的欲望。结尾差了点。
绝绝子，本以为借鉴了希胖【后窗】，原来是双向偷窥，最后最后的这个反转真的好刺激！！！在现实生活中，其实我们脑中应该时刻绷紧一根弦，因为，当你在凝视深渊的时候，深渊也在凝视着你。
很标准的好莱坞三段叙事 最后友谊和爱解决一切有点草率 那也比陈思成的莫扎特好看一百倍
We are a circle of pony friends.
并不算情色啊，故事讲得还蛮抓人的，一些bug就自动忽略了🤣。
主题还不错 有些虎头蛇尾
音乐还是那么好听
发现并欣赏别人的优点，接纳你认为别人那或许不糟糕的缺点。彼此才能成为好朋友。
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